Run of show

How to build a run of show the crew can actually run

A venue atrium set for guests

Photo: a site visit to a country-house venue.

In short: A run of show is the minute-by-minute script for the people delivering an event, not the attendees. Each row is a cue: a time, a duration, what happens, who is on stage, and what lighting, sound and screens must do. Keep one live version and update it as timings move.

Run of show vs agenda

The agenda is for attendees: sessions, rooms and speakers, in a form they can plan their day around. The run of show is for the crew: every cue, to the minute, with the technical instructions needed to make it happen. One event has one of each, and they must agree. When they are kept in separate documents, they drift apart the first time a session moves.

Attendee agenda
Day 1 · what guests see
09:15Opening keynote: Atlas in 2027Priya Nair · Thrale Suite
10:30CoffeeOrangery
Run of show · Opening keynote
Same session · what the crew runs
209:15Welcome · Priya NairMic 1
2a09:24Sting into videoVT
309:25The year in numbersMic 1
410:05Q&AMic 1, 2, 3
510:28Play-offWalk-off music
One session, twice: the attendee agenda, and the cues the crew run it from.

The columns every run of show needs

A template that works for most live events:

  • Time: the planned start of the cue.
  • Duration: how long it runs. Derive the next start time from it rather than typing it again.
  • Item: what happens (walk-in, welcome, keynote, panel, award, break).
  • On stage: presenter, host or panel members.
  • Sound: which microphones are live, plus walk-up and play-off music.
  • Screens: which slide deck, video or holding slide is on screen.
  • Lighting: the state or cue number.
  • Notes: standby calls, props, and anything the stage manager needs to say out loud.
app.eventru.co.uk/events/atlas/run-of-show
Run of Show Day 1 · Thrale SuiteAllAudioVideoLightingStage
CueStartDurTitlePresentersAudioVideoLightingStageNotes
§ Opening session
109:0015Walk-in—Walk-in playlistHolding slideState 1 · warm—Doors open
209:159WelcomePriya NairMic 1Deck A · slide 1State 2 · stageLecternStandby VT
2a09:241Sting into video—VT audioVT 01Blackout—Go on Priya's cue
309:2540The year in numbersPriya NairMic 1Deck A · slide 4State 2Lectern
410:0523Q&APriya Nair, rovingMic 1, 2, 3Q&A slideHouse lights 30%2 runnersRunners to aisles
Break · 10:30 · 30 minChangeover: next section needs Mic 4, 5, 6 for the panel
A run of show in eventru, with a section, a break that tells the crew what to re-rig, and a view for each crew role.

Build it from the agenda, then add the detail

Start with the agenda's sessions as your first rows, then split each one into its cues: the walk-up, the speaker, the Q&A, the play-off. Add the technical columns last, once the content is settled.

Plan microphones per cue, not per session. A panel of four with a host needs five microphones live at once, and a sound engineer needs to know that before the doors open, not while the panel walks on.

Run of show · Customer panel
No cues yet.Build from the session agenda, or add cues manually.Build from the session agenda
Pulls in the session's timings, presenters and room, so the run of show starts in step with the agenda.
Mic plan · Thrale Suite
Ch 1Priya NairSame channel all show
Ch 2RovingQ&A
Ch 3RovingQ&A
Ch 4Sam Ito · hostPanel host
Ch 5–8Panel of fourPanel
Most live at once: 5, during the customer panel
Start the cues from the session agenda, then let the mic plan count what has to be live at once.

Keep one live version

On the day, the run of show changes: a keynote overruns, an award is moved, a presenter arrives late. If the run of show is a spreadsheet that has been emailed out, every change needs a new version and everyone needs to know which one is current.

Share it from one place instead, so the stage manager, sound, lighting and the client all see the same timings as they change. Give each presenter only their own item to check, not the whole document.

Atlas SKO · AudioRun of show
2WelcomeMic 1
3The year in numbersMic 1 · now
4Q&AMic 1, 2, 3
5Play-offWalk-off music
eventru.co.uk/presenter/priya
Atlas Sales Kick-off · Thrale Manor

Opening keynote: Atlas in 2027

Day 1 · 09:15–10:30 · Thrale Suite
Your running order
09:15Welcome and housekeeping9 min
09:25The year in numbers40 min
10:05Q&A23 min
On stageLectern micClickerSlides uploaded ✓
One live version: the sound engineer's link shows their columns as times move, and the presenter sees only their own slot.

How eventru handles it

In eventru the run of show is built from the event's agenda, so the two stay in step. Cues carry timings, presenters, AV and automatic mic planning. Presenters can be invited to manage their own item, and the crew follow the live running order on their own devices, with Run of Show Live available for show-calling over the venue's network.

Questions

Who needs a copy of the run of show?

The stage manager or show caller, the technical crew (sound, lighting, video), the host, and the client lead. Presenters usually need only their own section, along with their call time and walk-up cue.

How detailed should a run of show be?

Detailed enough that a crew member who missed the briefing could run their part from it. For most corporate events that means a row for every change on stage, timed to the minute.

When should the run of show be finished?

Lock the content a few days out and run the technical rehearsal from it. Expect it to change on the day; the aim is that every change is made in one place that everyone can see.

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